Artist
11 March—3 May 2025 Richard Saltoun, London “Richard Saltoun Gallery presents a solo exhibition by Belgian-born, London-based artist Jacqueline Poncelet (b. 1947), whose pioneering approach to colour, material, surface, and space has redefined the boundaries between fine art and craft. Spanning fifty years of work, this, that and the other brings together Poncelet’s early sculptural ceramics, large-scale …
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Contour Lines’, a group exhibition a Sid Motion presented in collaboration with Tom Cole features Rana Begum, Lubna Chowdhary, Prunella Clough, Elizabeth Fritsch, Kate Newby, Vicken Parsons, Jacqueline Poncelet and Max Wade. The exhibition explores how different ideas of landscape and place are communicated through pattern and abstraction in a range of mediums. Using ceramics, …
The first monograph on artist Jacqueline Poncelet published on the occasion of the major exhibition, Jacqueline Poncelet: In The Making at MIMA, a solo exhibition surveying 50 years of work. Designed by Joanna Deans, Identity, and edited by Elinor Morgan and Sara Goldsmith, the monograph features a foreword by Laura Sillars, Director of MIMA, Middlesbrough …
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In the Making was a solo exhibition surveying 50 years of work by Jacqueline Poncelet. Poncelet’s work is characterised by a restless exploration of materials and making that is evident throughout her practice. As an artist she is fascinated by how tastes and fashions play out in the ways that humans dress, decorate living spaces, …
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Project profile Client: Hammerson Art Agent: InSite Arts My project manager: Mary Hogben of Hogben and Hale Architects Structural engineers: Techniker Manufacturer: Twin Engineering. Milton Keynes
‘A survey exhibition tracking the last thirty-five years of Poncelet’s practice, during which time she has alternated between various media, producing intensely private objects along with very open, large scale work.’ New Art Centre Listen in at Roche Court: Jacqueline Poncelet in conversation with David Ward You can view the e-catalogue for ‘Now and Then’ …
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From the Director’s Archive, published 2016: “One of the exhibitions within our fifty-year history that I have been intrigued by since my time at the gallery is The Raw and the Cooked (1993), an exhibition curated by Alison Britton and Martina Margetts during David Elliott’s long tenure as Director. The exhibition took its title from …
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